Τhe Acropolis Museum joins forces with the Onassis Foundation, an organization which has been contributing to Culture and Education for 42 years, in a rare and significant partnership. The end result is co-staging in Athens the “εmotions” exhibition, which scored such a huge success at the Onassis Cultural Center, New York.
"Emotions" is a narrative exhibition which sheds light on the unseen world of emotions in the personal, social and political life of antiquity. To view the exhibition is to embark on a tumultuous voyage into the soul of Man, whose passions are here expressed through the filter of ancient art. Exhibits from the world's greatest museums tell stories of emotions in ancient Greek art through the gaze of the Acropolis Museum. Many of the exhibits are unique art-works which are on display in Greece for the first time. Many more from Greek museums are basking in the light of international interest for the first time.
View of the exhibition ‘εmotions’, co-organized by the Acropolis Museum and the Onassis Foundation [Credit: Giorgos Vitsaropoulos]
A huge spiral of vertical vinyl banners in various shades of red (from light red to the deepest crimson) guide visitors through the exhibition while simultaneously symbolizing the range and intensity of the emotions on display. The spiral joins the two main exhibits: the glorious light-bathed statues of Eros and Pothos and, opposite them, the dimly-lit wall painting depicting the sacrifice of Iphigenia, its dark niche accentuating the powerful emotions of guilt, despair and anticipation. The remaining 126 exhibits are displayed between the red spiral and a grey backdrop, whose colour serves to balance the intensity of the red, and which corresponds symbolically to the rational side of the soul.
The exhibition is divided into five main sections: The first is entitled "The Art of Emotions—Emotions in Art". The second section, "The Spaces of Emotions" is divided into five sub-sections: "Private space", "The Battlefield", "Public space", "Sacred spaces" and "The place of Death". The remaining three sections are as follows: "Conflicting Emotions", "Uncontrolled Emotions" and "Medea". The exhibition also includes 11 videos which accompany exhibits and use text and images to narrate the complex, dramatic myths depicted on the pottery and help fill in the background for visitors.
Spanish archaeologists excavating a Visigoth necropolis in Sena, in the northeastern province of Huesca, have uncovered what they say is a burial site dating to the 10th century BCE and that was part of the Late Bronze Age Urnfield culture. An urn that revealed the existence of the cemetery dating back more than 2,000 years [Credit: EFE] Two urns and a lid were discovered in the graveyard. Hugo Chautón, the archaeologist overseeing the excavation, says Urnfield culture spread from central Europe into northeastern Spain around 1,000 years BCE. The name comes from the Urnfield culture’s custom of cremating the dead and placing their ashes in urns, which were then buried. “This culture represents the transition from the Bronze Age to the Iron,” said Chautón, “and provides valuable information about burial practices, particularly the move from burying the dead to cremating them.” Archaeologists work on the Visigoth burial site in Sena (Huesca) [Credit: EFE] The team has been excavating a V...
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The Association of Greek Archaeologists has been informed about unsettling developments regarding the intended conversion of Hagia Sophia in Istanbul to an Islamic mosque and in an announcement it made, expresses its strong concern in view of such a prospect. The Association of Greek Archaeologists requests the Greek government and international organizations to stay vigilant and intervene so that this supremely important monument remains the property of all humankind, an inseparable part of global cultural heritage [Credit: Shutterstock] As the AGA mentions in its announcement : “Hagia Sophia that was inaugurated in 537, has been operating as a museum since 1934 and due to its significance, constitutes a World Heritage site included, since 1985, in the relevant list of UNESCO. ”The repeated reading of the Koran and of prayers for a second consecutive year within this emblematic monument acts as a harbinger, with the ulterior motive being the cancellation of its function as ...
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